FC: "Echelon: The Secret Power" documentary reviewed in Variety

From: Declan McCullagh (declanat_private)
Date: Wed Apr 23 2003 - 09:03:04 PDT

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    From: "Ken Horowitz" <kenhat_private>
    To: declanat_private
    Date: Wed, 23 Apr 2003 09:54:16 -0400
    Subject: Echelon docu, reviewed in Variety
    
    I haven't heard anything about Echelon for a while, so here's a timely
    Variety review of a new French documentary titled "Echelon: The
    Secret Power".
    
    The final line is a good summary: "Backed up by leading British and
    New Zealand investigative journalists and former security agents from
    the countries concerned, so overwhelming and smartly presented is
    doc's thesis that by the time a former CIA head weighs in with a
    straight-faced rebuttal, he appears to have less credibility than a bag
    lady raving about little green men."
    
    http://www.variety.com/index.asp?layout=review&reviewid=VE1117920535&categoryid=31&cs=1
    
    Echelon: The Secret Power
    
    Echelon: Le Pouvoir Secret
    (Docu -- France) A France 2, KUIV production. (International sales:
    SFP, Bry-sur-Marne, France.) Produced by Michael Rotman, Mahel
    Ranc. Directed, written by David Korn-Brzoza.
    
    --------------------------------------------------------------------------------
    By Lisa Nesselon
    --------------------------------------------------------------------------------
    If you phone, fax or email a friend to say "Let's go see 'Echeleon: The
    Secret Power,'" be advised, you'll doubtless end up on a list
    somewhere. Juicy, entertaining and densely informative doc
    demonstrates the extent to which private communications are illegally
    and constantly spied on by the title network, which spans the globe,
    plumbs the ocean depths and beams into outer space and back.
    Visually and intellectually lively doc, designed to mimic an espionage
    thriller, is a riveting, spine-tingling account of five sneaky English-
    speaking nations working in collusion. Sure to be a fest favorite,
    "Echelon" should be snapped up by tube outlets hither and yon and
    beyond.
    
    Shot split screen/widescreen in mock "surveillance camera" mode, pic
    piles on the revelations with matter of fact authority. Doc traces roots of
    comprehensive electronic surveillance to 1943, when the U.S. and
    Great Britain pacted to break Germany's Enigma code, shortening
    WWII by as much as two years.
    
    [snip. --DBM]
    
    Doc overflows with real names and precise addresses. In a modest
    building at 8 Palmer St. in London, for example, every fax entering or
    leaving the U.K. was analyzed in the 1980s, according to information in
    the docu.
    
    Ecehlon grows ever more powerful with next to no oversight. In the
    early 1970s the base on British soil in Cornwall had only two antennae.
    Now 21 dishes are aimed at over 21 satellites.
    
    Easy to grasp 3-D diagrams show how simple it is to intercept various
    signals. Programs with titles like "Advanced Vortex" cull transmissions
    to and from pagers and mobile phones.
    
    Semantic Intelligence is the term for scanning for spoken words.
    "Voicecast," a form of personalized voice recognition, is credited with
    making the shooting of Emilio Escobar in 1993 possible.
    
    Fred Stock, a Canadian agent from 1987-1993, testifies that he was
    instructed to listen in on the Red Cross, Greenpeace, Amnesty Intl. and
    -- get this -- Princess Diana when she began campaigning against
    landmines. The Queen of England, even the Pope--nobody is
    impervious. Backed up by leading British and New Zealand
    investigative journalists and former security agents from the countries
    concerned, so overwhelming and smartly presented is doc's thesis that
    by the time a former CIA head weighs in with a straight-faced rebuttal,
    he appears to have less credibility than a bag lady raving about little
    green men.
    
    Camera (color, widescreen), Claude Pavelek, Bjorn Kathofer, Bruno
    Henry, Christophe Petit, Korn-Brzoza; editor, Cecile Coolen; music,
    Francoise Marchesean; sound (Dolby), Robin Aramburu, Witold
    Kubeck. Reviewed at Gothenburg Film Festival, Sweden, Jan. 26,
    2003. (Also in Amsterdam Documentary Festival.) Running time: 82
    MIN.
    Narrator: Francois Devienne.
    
    
    
    
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