FC: Audiophiles find Washington ally in electronic merchandisers

From: Declan McCullagh (declanat_private)
Date: Tue Dec 18 2001 - 08:05:09 PST

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    http://www.stereophile.com/shownews.cgi?1221
    
                    December 17, 2001 -- It seems that all of the forces in
       the music industry have lately been conspiring against the music lover
       and audiophile. The record labels and their hired gun, the Recording
       Industry Association of America (RIAA), have so far blocked digital
       outputs on high-resolution audio players, insisted that watermarks be
       inserted into both high- and low-resolution audio data, and have even
       started to restrict consumer's fair use of compact discs and digital
       downloads.
       
       The National Association of Recording Merchandisers (NARM) is one of
       the few official voices standing up for the music-buying public, in
       addition to its primary role as support organization for music
       retailers. The group recognizes that grumpy consumers ultimately mean
       unhappy retailers, and it announced last week that it is submitting
       written testimony to a US House of Representatives oversight hearing,
       criticizing the Digital Millennium Copyright Act Section 104 Report
       that was released earlier this year by the Copyright Office. [...]
    
       NARM's testimony is included below:
       
       "America's retailers of music, represented by the National Association
       of Recording Merchandisers,
       
       "AGREE with the conclusion that a mechanical royalty should be paid
       when a reproduction is made (a download), and that a performance
       royalty should be paid when a public performance is made (streaming).
       No reproduction infringes the performance right unless someone can
       actually hear the performance. No public performance infringes the
       reproduction right unless a copy or phonorecord remains after the
       public performance is over.
       
       "AGREE with the conclusion that lawfully made digital downloads of
       sound recordings are entitled to the full application of Section
       109(a). Section 109(a) entitles the owner of a lawfully made copy to
       sell it or give it away without the consent of the copyright owner.
       
       "DISAGREE with the Copyright Office's assertion in Footnote 41 that
       Section 109(a) is a right without a remedy. There is absolutely no
       legal basis for concluding that Congress didn't mean what it said in
       enacting Section 109(a), or that Congress intended Section 109(a) to
       be voidable at the discretion of a copyright owner.
       
       "AGREE with the Copyright Office's conclusion that Section 109(a)
       should not be interpreted to authorize the sale or other disposition
       of archival copies apart from the originals. If an archival copy is
       sold separately from a legally downloaded copy, it is no longer
       archival, and therefore, it no longer enjoys Section 109(a) rights.
       
       "AGREE that consideration be given to the creation of a new archival
       exemption that provides expressly that backup copies may not be
       distributed (Option 2), but with care to avoid unintended results. The
       proposal to amend Section 109(a) to require that copies be lawfully
       made and lawfully distributed (Option 1) would have the effect of
       completely nullifying Section 109(a)'s applicability to digital
       downloads, and should be rejected. Such language would give copyright
       owners control over perfectly lawful downloaded copies for which
       retailers and consumers have already paid.
       
       "QUESTION the wisdom of continuing to just let the marketplace try to
       solve these issues. In recent months the music industry has announced
       plans in which consumers will be limited to one of only two similar
       business models, two media players, little or no price competition,
       and an incomplete selection of music through a handful of retail
       channels. Contrary to the first sale doctrine's principles, copyright
       monopolies are being leveraged to eliminate or restrict all
       competition in the retailing of copyrighted content. The Copyright
       Office Report fails to note the potential harm to the public of
       limiting exclusively to the copyright owners the right to develop new
       business models.
       
       "DISAGREE with the suggestion that use by copyright owners of Section
       1201 to protect business models rather than copyrights does not
       warrant Congressional concern. Congress never intended for Section
       1201 to permit copyright owners to neutralize the limitations Congress
       justifiably placed upon their copyrights, or to use technology to
       create for themselves rights never before conferred, such as the right
       of private performance. Today, Section 1201 is being used to shield
       the unauthorized usurpation of public rights by copyright owners.
       Copyright owners are claiming that though the owner of a lawfully made
       copy may legally sell or give away that copy, the copyright owner may
       nevertheless use access control technology to prevent the buyer or
       gift recipient from privately and lawfully performing the work. Such
       power upsets the careful balance of public and private interests that
       Congress has historically preserved in crafting the Copyright Act.
       
       "QUESTION some of the unsubstantiated allegations of economic harm (or
       threats of possible future economic harm) to copyright owners that
       have colored the Report. Retailers of music are the first to feel the
       sting of sales lost to pirates. We share the concern of copyright
       owners about potential harm to our industry. Nevertheless, retailers
       are reluctant to attribute every lost sale to piracy. Sales are also
       lost to free CDs from record clubs, to lousy weather, a soft economy,
       and poor releases. Retailers know that Napster did not kill the
       singles market. Before Napster came along, record companies were
       killing the singles market by not releasing singles. We need
       independent studies which can help us all better evaluate the impact
       of new technologies on the economics of our business.
       
       "QUESTION the conclusion that Section 109(a) should not be updated so
       that the principles of the first sale doctrine may carry forward to
       prevent copyright owners from exercising control over individual
       copies that they do not own. The Constitution and the public policy
       foundations of copyright law lend no support for allowing copyright
       owners to expand their control over electronic commerce once they have
       been fully compensated for the license to their exclusive rights."
    
    
    
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